Texas Monthly: "Born and raised in El Paso, Sergio Troncoso is a prolific short story writer, novelist, and essayist. In From This Wicked Patch of Dust, Pilar
and Cuauhtémoc Martínez are raising their four children in Ysleta, a
border town. The novel unspools over four decades, and spans from Ysleta
to New York City to Tehran in the aftermath of September 11, as the
physical, ideological, and religious borders between the family members
threaten to separate them for good."
In this interview, Erin Popelka of Must Read Fiction speaks with Sergio
Troncoso, whose most recent book is A Peculiar Kind of Immigrant's Son.
Our conversation followed as delightful a range as the stories in this
collection: we spoke of questions of home and varied immigrant
experiences to stories of his grandmother as she smoked cigarettes and
described living through the Mexican Revolution to the challenges he
poses to his readers through his writing.
A few delightful quotes from our conversation:
"I'm a little bit of a rebel. I like to unmoor the reader."
From his grandfather: "Don't become a journalist. If you tell the truth,
people will hate you forever."
Questions for his readers: "Who are you? Are you who you want to be?
What do you keep? What do you discard? Why? How are we going to be a
we?"
These questions and rebellions and stories make for a wonderful journey,
both in this interview and in the short story collection, A Peculiar Kind of Immigrant's Son.
C. M. Mayo: "Sergio Troncoso is a writer
and literary activist whom I greatly admire. It so happens that we were
born the same year in the same city: El Paso, Texas. And both of us
lived our adult lives in cultural environments vastly different from El
Paso: I went to Mexico City; Sergio to Harvard, Yale, and many years in
New York City. Sergio’s works offer a wise, deeply considered, and
highly original perspective on American culture." C.M. Mayo: What is the most important
piece of advice you would offer to another writer who is just starting
out? And, if you could travel back in time, to your own thirty year-old
self?
SERGIO TRONCOSO: Read as if your life
depended on it. Read critically in the area you are thinking of
writing. Don’t be an idiot: seek out and appreciate the help of others
who are trying to help you by pointing out your errors, your lapses in
creating your literary aesthetic. Get a good night’s sleep: if you do,
you’ll be ready to write new work the next day. And if you fail, you
won’t destroy yourself because you did. You’ll be ready to sit in your
chair the next day.
Cinco Puntos Press's Editorial and Foreign Rights Director Jessica Powers moderates a
chat with Sergio Troncoso (author of A Peculiar Kind of Immigrant's Son)
and Octavio Solis (author of Retablos). The authors talk about their
books, growing up in the Lower Valley area of El Paso, and what their
Mexican American and fronterizo identities have meant for them as
adults.
"The recent August massacre began with stereotypes and
prejudices of who the people in El Paso were. These stereotypes missed the real
El Paso, the values of hard work and dedication to family, and the peaceful
humility of the largely working-class, immigrant community of El Paso.
"But to break these stereotypes people--especially the white
population that has never been to the border--must read about and engage with
El Paso (and other immigrant communities) and experience for themselves the
pride El Pasoans feel about being hard-working Americans"
"From the start, this book takes place not so much at the border of things as on their edge: the contact zones of life and death, past and present, here and there, old and young. In the characters’ minds, we find ourselves on one side of a divide, perpetually looking back or across. With Troncoso, that endeavor is often as dark as it is funny. The El Paso author’s newest collection depicts contemporary Mexican American life with a characteristic blend of sorrow and humor. It’s his most powerful work yet, and an essential addition to the Latinx canon."
I am so grateful to the Texas Observer and Daniel Peña.
Maeve Conran interviews me about A Peculiar Kind of Immigrant's Son on Colorado Public Radio's KGNU. I discuss how reading expands your empathy when you read stories outside your community. I also emphasize why this matters after so much anti-immigrant rhetoric is dividing our country and its many communities.
I was recently interviewed by Daniel Chacon for KTEP's Words on a Wire. I talk about A Peculiar Kind of Immigrant's Son and the 'map' of the table of contents of the thirteen stories, in which characters appear and reappear within groups to give a different perspective and refracted vision on these characters. I also talk about how I created a whole from these stories, by comparing the book to an album of music with a certain vision and message. I discuss the most important purpose of writing, especially during moments like the Wal-Mart massacre in El Paso, when all writers must counteract the stereotypes outsiders have about our border communities. Empathy should be at the root of our work as writers.
I was interviewed Robert Holguin of KFOX14 at Literarity Book Shop in El Paso. Thank you, Robert. What a wonderful experience at this independent bookstore, my inaugural reading for A Peculiar Kind of Immigrant's Son.
“Anybody traveling, crossing these borders, going beyond El Paso and
coming back, has to deal with these kinds of questions of where do I
belong, how do I belong, what part of El Paso values do I take with me
and how do I adapt those values when I’m in a place that’s very foreign
or very different from El Paso like Boston or Harvard or Yale," said
Troncoso. "And so I think that’s why the book is valid and why the book
should matter to people.”
“We need to be helping independent bookstores," Troncoso said. "Independent voices all over this country and independent publishers like Cinco Puntos Press and so Literarity is part of that.”
"Chicano literature began with the Treaty of Guadalupe
Hidalgo, when a sizable Latino population was separated from its land
and heritage. Sergio Troncoso has written brilliantly of this disruption
and its pull. In his new book of stories, he is sharp in 'Rosary on the
Border,' where a New Yorker returns to the El Paso–area village of
Ysleta for his father’s funeral, and 'New Englander,' in which an
intellectual Chicano must fight a redneck"