A Peculiar Kind of Immigrant's Son (Cinco Puntos Press) makes the
recommended list by librarians at the Austin Public Library. I love
public libraries, and on Wednesday (12/18) I'll be at the Sergio Troncoso Branch Library in El Paso to give out the Troncoso Reading
Prizes. So happy and grateful that librarians in Austin like my book.
Support and fight for public libraries!
Here's an interview I did with Emma Nelson at Blue Muse Magazine, a
publication of Central
Connecticut State University. We met at the
Connecticut Literary Festival. I love talking to students who are
serious about writing, and Emma was an excellent interviewer. I hope you
enjoy it.
"I followed Troncoso to the signing table and bought
his new collection of stories, A Peculiar Kind of Immigrant’s Son. The
fifty-eight-year-old author is gregarious and generous; readers ask him questions
and he listens intently. With a red pen and glasses tucked into his
white-and-grey striped shirt pocket, he signed my book with a friendly
smile and was eager to explain the ins and outs of the short stories. He
stayed at the signing after the other authors had left. When his books
sold out, he sent his wife, Laura, to their car to retrieve additional
copies."
Thank you, David Gutowski of LargeHearted Boy. He gave me the opportunity to create an imaginary playlist for A Peculiar Kind of Immigrant's Son at this nexus of writing and music. Thirteen songs on Spotify, with my commentary about how they remind me of the characters and situations in my book.
"I listen to music to think and to find inspiration from its emotions,
energies, and rhythms. Music is a fount of creativity for me. When I’m
deep in a story in my head and I’m trying to work out a character or
plot line, or I’m thinking of the many layers of a story, I listen to
music. It’s a way of letting go, of immersing myself in something new
that is not writing. My favorite music always inspires me to find that
solution that previously bedeviled me, or it loosens something stuck in
my brain and I often have an aha! moment where I see what I previously did not see. All of this happens when I lose myself in sound."
My KZSM radio interview in San Marcos is now available on MixCloud. Thank you, Priscilla Vance Leder, my radio host on Bookmarked, and Steve Davis who joined me on this interview.
"Author
Sergio Troncoso talks about his compelling new short story collection, A
Peculiar Kind of Immigrant's Son. These interrelated stories explore
the complexities of self and identity through a variety of modes, from
the realistic and contemporary to the realm of speculative fiction.
Steve Davis, Literary Curator of the Wittliff Collections, joins
Priscilla Vance Leder for this thought-provoking discussion."
In this interview, Erin Popelka of Must Read Fiction speaks with Sergio
Troncoso, whose most recent book is A Peculiar Kind of Immigrant's Son.
Our conversation followed as delightful a range as the stories in this
collection: we spoke of questions of home and varied immigrant
experiences to stories of his grandmother as she smoked cigarettes and
described living through the Mexican Revolution to the challenges he
poses to his readers through his writing.
A few delightful quotes from our conversation:
"I'm a little bit of a rebel. I like to unmoor the reader."
From his grandfather: "Don't become a journalist. If you tell the truth,
people will hate you forever."
Questions for his readers: "Who are you? Are you who you want to be?
What do you keep? What do you discard? Why? How are we going to be a
we?"
These questions and rebellions and stories make for a wonderful journey,
both in this interview and in the short story collection, A Peculiar Kind of Immigrant's Son.
C. M. Mayo: "Sergio Troncoso is a writer
and literary activist whom I greatly admire. It so happens that we were
born the same year in the same city: El Paso, Texas. And both of us
lived our adult lives in cultural environments vastly different from El
Paso: I went to Mexico City; Sergio to Harvard, Yale, and many years in
New York City. Sergio’s works offer a wise, deeply considered, and
highly original perspective on American culture." C.M. Mayo: What is the most important
piece of advice you would offer to another writer who is just starting
out? And, if you could travel back in time, to your own thirty year-old
self?
SERGIO TRONCOSO: Read as if your life
depended on it. Read critically in the area you are thinking of
writing. Don’t be an idiot: seek out and appreciate the help of others
who are trying to help you by pointing out your errors, your lapses in
creating your literary aesthetic. Get a good night’s sleep: if you do,
you’ll be ready to write new work the next day. And if you fail, you
won’t destroy yourself because you did. You’ll be ready to sit in your
chair the next day.
Cinco Puntos Press's Editorial and Foreign Rights Director Jessica Powers moderates a
chat with Sergio Troncoso (author of A Peculiar Kind of Immigrant's Son)
and Octavio Solis (author of Retablos). The authors talk about their
books, growing up in the Lower Valley area of El Paso, and what their
Mexican American and fronterizo identities have meant for them as
adults.
"The recent August massacre began with stereotypes and
prejudices of who the people in El Paso were. These stereotypes missed the real
El Paso, the values of hard work and dedication to family, and the peaceful
humility of the largely working-class, immigrant community of El Paso.
"But to break these stereotypes people--especially the white
population that has never been to the border--must read about and engage with
El Paso (and other immigrant communities) and experience for themselves the
pride El Pasoans feel about being hard-working Americans"
"From the start, this book takes place not so much at the border of things as on their edge: the contact zones of life and death, past and present, here and there, old and young. In the characters’ minds, we find ourselves on one side of a divide, perpetually looking back or across. With Troncoso, that endeavor is often as dark as it is funny. The El Paso author’s newest collection depicts contemporary Mexican American life with a characteristic blend of sorrow and humor. It’s his most powerful work yet, and an essential addition to the Latinx canon."
I am so grateful to the Texas Observer and Daniel Peña.